Barnard College student, Sarah Kim, has never let cerebral palsy stand in her way. A Day On My Wheels celebrates Sarah’s accomplishments, determination, and passion for life.

In 1999, Colorado mother Jessica Gonzales experiences every parent’s worst nightmare when her three young daughters are killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica files a lawsuit against the police, claiming they did not adequately enforce her restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case all the way to the U.S. Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one-surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Filmed over the course of nine years, HOME TRUTH chronicles one family’s pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence tragedies can linger throughout generations.

Contrary to the stereotype, butch lesbians aren’t trying to be feminine and failing. They are not going through a rebellious stage or imitating men. Rather, they are women who while being true to their own selves, may look and or act in ways that society has decided is appropriate only for men. And some people have a problem with that.

She was one of the greatest stars in the flamenco world, captivating audiences worldwide with her innovative style and breathtaking use of rhythm in the 1960s and 1970s. At the peak of her career, she suddenly disappeared from the scene. LA CHANA follows the story that she returns to the stage to give a final seated performance after a break of two decades, revealing the secret behind her disappearance.

CITY OF JOY tells the story of the first class of girls at a remarkable center in Eastern Democratic Republic of Congo. It tells of the visionaries who imagined a revolutionary place where women who have suffered horrific rape and abuse, learn to lead amidst a war driven by greed, economics and colonialism.

What happens when Boston’s 1971 International Women’s Day marchers turn Left on Pearl Street in Cambridge, to seize and occupy a Harvard-owned building for a women’s center? This fast-paced documentary explores why and how hundreds of women of diverse backgrounds decided to take a radical, collective action that would change their lives. "Left on Pearl" documents a watershed moment in the early days of the Women’s Liberation Movement.

FACES OF HARASSMENT is an experiment in storytelling about trauma. When the hashtag #MyFirstHarassment swept across Brazil, it showed not only the widespread experience of sexual harassment, but a widespread hunger to bring it out of the shadows. FACES OF HARASSMENT amplifies this movement, by opening space for women to speak their own truth. The film was shot in a mobile storytelling van, parked in rich and poor neighborhoods alike across São Paulo and Rio de Janeiro and open to any woman. The van was a free, autonomous space, where women spoke to the camera directly, no interviewer or other influence present. FACES OF HARASSMENT offers an honest and unflinching look at the scourge of sexual harassment—and at the radical possibilities for dignity and healing that can happen when women are free to speak completely for themselves.

Two women meet in an Irish airport departure lounge on their way to the UK for an abortion

Raïssa lives in a foster home for youths with her best friend and roommate, Alio. When she finds out that Alio has moved out without warning, she immediately leaves to hunt her down. Finding her living with her boyfriend in what turns out to be complicated circumstances, Raïssa is determined to help Alio make things right. Emmanuelle Nicot’s raw depiction of two young girls and the difficult lives they are forced to lead, examines the depths of friendship and sacrifice.

11 million migrants in the US have to live a double life, because they are undocumented. They can not work legally, nor travel. Many live in permanent fear of being deported. Angy Rivera is one of them. Courageously she dared the go public with her Blog; now she takes to the streets and together with other illegal migrants demands a solution for the immense problem, hushed up for decades.

Heather Booth is the most influential person you never heard of. This film is an urgent response to the recent change in US administration. At a time when many are wondering how to make their voices heard, when civil and women's rights are under attack, this empowering documentary is an inspiring look at how social change happens.

Thérèse has one big life regret — she never got her drivers license. Now she really wants to get behind the wheel. But is it a good idea to become a new driver at 86?

"My customers are all dying on me, but I’m still going strong!”A feisty 89-year-old and her iconic hair salon. The aging and fiercely independent hairdresser Mabel was the first woman in her rural Nova Scotia community to become a business owner – and after 70 years of cutting hair, she has no plans to retire.

GIRLS LEVEL UP profiles a summer camp where girls are given three weeks to make their own video game demo. Camp founder Laila Shabir, who grew up in a conservative Muslim neighborhood in the Middle East before coming to the United States, provides a unique perspective on the challenges facing girls who love videogames and dream of making them.

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.

"The meeting with the ex in the hallway while the children are changing base for the next week. Christmas dinner together with the former family. Mini-portrayals of life after divorce.Almost everywhere in the Western World, every second marriage ends up in divorce. Even if it hasn’t happened to you yet, it has happened to someone close to you, or maybe it is present in your life as a fear or even a hope."

1971: Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

Yeon-joo lives with her grandmother after her parents got divorced. 'Taking Vacation Photos with Parents' is her assignment for fall vacation. She does not want to let anyone know about her parents’ divorce."

1971: Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

I found the Part-time Worker’s Union after having been a part-time worker for eight years. At the union, I met other two other girls with the same name as myself: Ga-hyun. The part-time workers are upset and indignant at the way they are treated: the low wages, the mistreatment, and unwarranted layoffs. Now we tell our stories and demand a livable wage. We are not studentworkers but part-time laborers. Now we begin a rebellion!

One Saturday in November. Families gathered in Mother’s parents’ home located countryside to preparing kimchi for the winter. Yeong-ju visited there to help families with mother instead of busy dad. However, when Yeong-ju make sure the condition of cabbages, she encountered uncle who visited there for the first time in ten years.

Yoon Young started to learn Brazilian Jiu-Jitsu because she has never given herself a chance to fight. However she can not help self-hatred because she thinks she is weak. Yoon Young meets and counsels about the flaws of being woman with the only one female Jiu-Jitsu Blackbelt in Korea, Hee Jin Lee. Hee Jin introduces the personality of women and tells Yoon Young that such complex or weakness can be a weapon of them. After getting consolation, Yoon Young goes for a fight in jiujitsu competition. Yoon Young wins over a girl who happened to have the weaker conditions than her and gets defeated by a girl who happened to have stronger conditions. She realizes the essence of fight is to subvert the order of innate strength. Moreover, she realizes that she needs to acknowledge herself first in order to fight with someone. Yoon Young keeps fighting and makes herself more womanly as a girl.

An animated documentary portraying two North Korean defector women of 20's settling in South Korea.

Two women shortly before they are due to give birth: their mood is rock bottom. Now would be time for some fun, but what can you do when you are – yet again – pregnant? A claymationfilm that spectacularly depicts a departure from the norm expected from "good moms".

Film major student Shin-ae is preparing her graduation film . Ye-bin is not comfortable about that topic, no-bra. Jae-hyuk who is rising director casually come along their table. Ye-bin has more interest to Jae-heuk than Shin-ae’s film and goes out with him…

Granny Hui-sun scrapes a living by collecting salable wastepaper. As granny Bu-an moves to Hui-sin's neighborhood, the competition for the town's wastepaper becomes fierce. Hui-sun, who was on a sticky wicket, has an eye on the boxes at the peak moving season. But Bu-an isn't easy competitor.

Sun-ah is a high school student who likes to take pictures. She longs for the world beyond the camera rather than sticking to reality. One day, the scenery beyond the camera changes gradually, and the world in which the fascination grows is broken. To wandering Sun-ah who can not be attached to such a place anywhere, someone who is grown up appears.

Yeonhwa lives as an ordinary person. One day, she hears her aunt’s death and goes to her funeral with her father. Her father criticizes her aunt’s life and Yeonhwa finds a video from the aunt’s keepsake.

I changed the light bulbs in my house to calm my worries. But there is one nail that is stuck and cannot be removed, so the old light bulb remains hanging next to the new one. In our family group chat, we also have a nail that cannot be pulled out. It is the person we cannot invite to join the group chat, Ms. Kyung-hee, also known as our 'mom'. Amidst all this, we are about to have a new family member.

Eunju has a secret that has not been told to her husband. A peaceful day, a sudden phone call shakes their lives.

A girl fell from a bridge and her boyfriend watches her death. She is a victim, but there is no culprit.Somi jumps off the bridge and commits suicide while her boyfriend Jihun witnesses everything. Neither Jihun nor Somi’s dad can understand why she chose to kill herself. Somi’s dad suspects that Jihun is responsible for her death, but Jihun grieves the loss ofhis girlfriend and claims he truly loved Somi. Later, however, the truth that Jihun is culpable is finally unearthed. Somi’s dad goes to Jihun to hold him accountable for Somi’s death. Even then, Jihun does not realize his fault after all.

Every day Soeun comes her bleak home after school. One day the sound of a doorbell breaks the silence. She goes off with a luggage.

Endless sultriness of life, which usually compare to young blood, has been unrelenting still at the elder age. A cleaner Hyeon- ja who has never spoken out her voice to the world, just waits for the disappearing moment of her life.

Ji-won, who works as a part-time teacher for a public high school, goes to private high school job interview at the lunch time. When she arrives, she comes across her old teacher Jeong-man.

Byeol parents just got separated. She got this single room with her dad and met Ji-su who lives right next door. They got close like real sisters, but star's parents' relationship doesn't seem to get better ever.

While traveling around the world as a honeymoon, Kim1 and Kim2 meet Feruza at remote little village in a desert area in Ethiopia. Feruza is a dreamy 17years old girl who learns Korean and English herself by TV. Despite She doesn’t want to, she has to marry soon with unknown man because of custom. The only way that she can to avoid the marriage is go to the city far away and find a job. The Korean couple decides to go to the city with her and find her dream instead of their tour plan.